I think it’s safe to say that all writers began as avid readers. Just as all painters look at other pieces before painting their own piece, all writers read the works of others before crafting their own work. You’d be hard-pressed to find a writer who has never enjoyed reading. From a young age I always loved to read. However, recently I have found myself not desiring to read as much as I used to. Fortunately, in my university program I am forced to read anyways, but without this imperative I know wouldn’t be reading nearly as much as I should be.
Learning to Put Yourself Out There
If you say that putting yourself out there doesn’t scare you at all, I’m sorry, but you’re lying. Whether you’re asking someone on a date, applying for a job, or submitting drafts to a journal, the possibility of rejection is always imminent and always terrifying. Keep reading to see what River Street’s Margaret Huntley has to say about putting yourself out there as a writer.
No Writer is an Island: The Competitive Nature of Writing
I am an insanely competitive person. I blame it on my older brother. He’s two years my senior, which was just young enough to play games with me but still old enough to be better than me at them all. This, of course, annoyed me to no end. To this day, I am constantly grappling with a desire to be the best at whatever I do and when I am not, I hate it.
Do What You Love and You'll Work Harder Than You've Ever Worked in Your Life
One piece of advice I’m sure everyone has heard at some point in their life is: “do what you love, and you won’t work another day in your life.” Phrases like this are part of the reason I decided to do my undergrad degree in creative writing. I have always loved to write. Over time, my notebook full of juvenile two-pagers developed into a laptop full of drafts, essays, and articles. While I am happy that I have the opportunity to pursue what I love as a career, I think statements like this are misleading. Doing what you love actually takes more work than you might think, especially when it comes to writing.
Greater Love: A Review of Lauren Carter’s Following Sea
Moving Forward, Standing Still: The Hubris of Public and Personal History in The Afrikaner by Arianna Dagnino
The Afrikanner by Arianna Dagnino is about as surprising as any contemporary post-colonial novel I could imagine. Though it's been many moons since I studied postcolonial literature during my undergraduate degree, I had an idea in my head about what this novel could be about: either a scathing condemnation of colonial power and abuses, or a narrative of apology for those abuses. The Akrikanner is neither.
Power Q & A with Elizabeth Greene
How to Become a Freelance Writer: Tips from the Trenches
Work Outfit Ideas…for the Home Office
Being Human: A Lesson in Limitations
There’s No Such Thing As Writer’s Block
Translation: Art or Science?
Is translation an art or a science? Do translators feel pain when they see results generated by the Google translate function, or are they really just dictionary-thumbing automatons? Can anyone really find a suitable synonym for 'muggle'? These questions - and more - explored by our resident linguistic interloper, Lauren Lewthwaite.
Power Q & A with Soraya Peerbaye
I've been on all sides of the granting process - an applicant, a juror, and a grants officer. My advice is, show the writing that most vividly illustrates the challenge of your project. This doesn't necessarily mean writing that is done. What I look for as a reader is something that's really crackling, that's alive with questions, experiments, potential - even if it's rough.
Power Q & A with Dorothea Helms
Writers whine about the left-brain practices, but realize we’re no different from any other businesspeople out there. I’m sure plumbers don’t love doing the paperwork that comes along with all of the above, but they do what they have to do. The advantage they have is that people don’t offer them the chance to sign their pipes rather than pay them.
Don't Give Yourself Away, Make 'Em Pay
Dear Mr. X, I hope you can understand if I decline your offer. You see, I feel it is sort of like asking Meryl Streep to audition for a Sharknado sequel. I'm not saying she wouldn't agree to do the movie - I wouldn't dare to speak for Meryl - but asking an actor of her experience and caliber to audition for a film her repertoire shows she is clearly capable of handling is just poor form.