Excerpt from Grandfather of the Treaties by Daniel Coleman

Excerpt from Grandfather of the Treaties by Daniel Coleman

If we are to survive long term, we need to give the land back, first, to Yethi’nihstenha Mother Earth herself, to her rules and practical laws, and, second, to Indigenous governance and ways of proceeding, which were fashioned within the framework of her rules. To do this, we need to align our laws, as Indigenous people have been telling us all along, with earth’s laws, with what Onondaga naturopathic doctor Johanne McCarthy calls Mother Earth’s house rules, her “ground rules.” Western legal systems cannot give the land back to its own ground rules because they are grounded in a foreign and inappropriate set of basic philosophical assumptions about what land is and what its laws are.

Power Q & A with Daniel Coleman

Power Q & A with Daniel Coleman

The 16th and 17th century encounters between Indigenous people in Turtle Island and merchant sailors coming from Europe constitutes the meeting of two very different ways of seeing and living in the world, two very different approaches to trade. The French, Dutch, and English who arrived at the mouths of rivers flowing into the Atlantic were the envoys of a new way of making wealth. These were not aristocrats who stood to inherit their fathers’ land and properties, they were sailors from Europe’s emerging merchant class who were looking for trade goods and resources—spices from Asia, minerals from “El Dorado,” manufactured items from China or India. They had recently developed the capacity to navigate across huge oceans, and they were learning that they could become independently wealthy by exploring the world’s coastlands and islands and bringing back objects they could sell at home.

Excerpt from A Town With No Noise by Karen Smythe

Excerpt from A Town With No Noise by Karen Smythe

I insisted on having time off this Christmas, which I’ve covered at the café for three years running, to spend the holidays with my mother in Copper Cliff. I’ve had my old room back during visits home ever since my grandmother died five years ago. My mother had moved Sigrid into the apartment for the last two years of her life. She never told me why she made that decision, even when I questioned whether it was the right thing to do, to keep Besta out of a hospital, especially when I knew they had never gotten along.

Power Q & A with Karen Smythe

Power Q & A with Karen Smythe

y novel began as a book about the hidden lives of wealthy retired people living in a fictional small town in Ontario that had transitioned from agricultural to a winery- and tourist-based economy. When one character with a past in wartime Germany emerged, threads opened up that I turned into storylines about the responsibility to remember and be accountable for atrocities in World War 2. 

Excerpt from What to feel, how to feel by Shane Neilson

Excerpt from What to feel, how to feel by Shane Neilson

We call it Frink, and Frink it has been since he was able to demand “drink.” Frink it remains, though Frink is specific in a way only his family can know: a carbonated drink from McDonalds as dispensed by an accessible self-serve fountain (a pox on behind-the-counter tyrannical control!). Though cup sizes have escalated over the years, Frink’s always come as an earned reward. Frink as the meaning of life; Frink as the purest joy; Frink as the promise at the end of a long day pining for Frink; Frink if, and only if, one is Good. Frink because he is Good. Consider Frink to be your sex, your drug, your rash internet purchase, but also your wholesome chaste handhold with a first date at a carnival, your sleep stuffy, your comfortable around-the-house lived-in sweater. Frink for a blissful, refill-laden hour. Then the return to normal frinkless life.  

Power Q & A with Allister Thompson

Power Q & A with Allister Thompson

Like a lot of people, when I moved here, I was amazed at the sheer scope of a sparsely populated landscape, as well as its natural beauty, and it really captivated me. It still does. I wanted to share that feeling. Second, given that fact, I felt that while there is a great body of literature about northern Ontario, there can always be room for more!

Steven Mayoff reviews Oliver Bell and the Infinite Multiverse by Jake Swan

Steven Mayoff reviews Oliver Bell and the Infinite Multiverse by Jake Swan

As a follow-up to Grantrepreneurs, his wickedly witty 2023 debut novel, Jake Swan raises the stakes and widens his scope with Oliver Bell and the Infinite Multiverse (Galleon Books, 2025). This detailed and often dense melding of science fiction and demonology is liberally sprinkled with Swan’s trademark caustic social commentary. Comparisons to Douglas Adams may be inevitable, but add a dash of Tolkien and a pinch of Pynchon to this cosmological smorgasbord of a novel and you’ve got yourself one engagingly volatile page-turner.

Power Q & A with Bruce Hunter

Power Q & A with Bruce Hunter

Frontenac House Press has published a gorgeous reissue of Bruce Hunter’s award-winning novel of love, disability, and wildness, In the Bear’s House(May 23, 2025.)

Set in 1960s Calgary and Alberta ‘s backcountry, this reissue of In the Bear’s House tells the story of a creative young mother, Clare Dunlop, raising her deaf son against the insurmountable odds of poverty, mental illness and hardship. In the Bear’s House is ultimately about listening to the wild and the wilderness, and what we lose when it’s gone.

We are honoured to have Bruce join us to answer a question about the rebirth of his much-loved story.

Power Q & A with Caitlin Galway

Power Q & A with Caitlin Galway

The longer form definitely comes naturally to me, though it’s not something I set out to do, so much as a reflection of how I think. I’ve learned to see my own intuitive approaches more clearly, and how to amplify or deconstruct them, challenge or upend them. Something particular that I’ve realized is that as I write, everything is somewhat of a spiderweb; ideas emerge connected to several other ideas, which connect to one layer, then another, and so on. It’s part of what feeds me electricity as a writer: this instantaneous, sparking interaction between narrative, symbolism, philosophy, psychological and emotional interiority, history, and commentary, and I find that it means the story will probably need more breathing room. 

Power Q & A (Part II) with Kathryn Kirkpatrick

Power Q & A (Part II) with Kathryn Kirkpatrick

Talk about wonder! Paula Meehan's work came to me in the mail as a request for a book review! Poet and editor R.T. Smith certainly kept channels open for synchronicities, and I'll always be grateful for that request. I think currently we're suffering from the Cartesian dualisms inherent in our capitalist version of modernity, and we've got some horrendous fixes floating around. Paula's beautiful work combines a compassionate, progressive politics (for lack of a better word) through a thoroughgoing critique of the class exploitations underwriting modernity as we know it.

Power Q & A with Kathryn Kirkpatrick

Power Q & A with Kathryn Kirkpatrick

These two words—insistence and wonder—speak to the paradox of making poems. There's got to be a willfulness involved in showing up to the blank page or the page with scattered lines and notes for a poem. I have to be insistent about that time and space. If I'm not, if I let the business of life's obligations take over, then there's an emotional and physical insistence that arises.

Power Q & A with Catherine Bush

Power Q & A with Catherine Bush

Like many writers, I started out writing stories but very quickly discovered that a story I cared about deeply was trying to be a novel, so I plunged headlong into long-form fiction and never looked back. That unwieldy story became my first novel, Minus Time. I felt like the novel was my natural breath as a writer. A few years ago, I became intrigued by the wild and meaningful compression of flash fiction – the opposite of a novel. I started writing stories again more intently during the pandemic at a time when I felt exhausted and unable to start a new novel.

Special Mother's Day excerpt from Widow Fantasies by Hollay Ghadery

Special Mother's Day excerpt from Widow Fantasies by Hollay Ghadery

River Street’s Founder Hollay Ghadery is an award-winning author as well as a mother of four humans and a multitude of furred and feathered bairn. As a special Mother’s Day gift to all, she’s agreed to share one of the most beloved stories from her short fiction collection, Widow Fantasies, which was released in 2024 with Gordon Hill Press.

As many critics have noted, in Hollay’s stories, there is a chorus of voices that sing to the multiple ways people can be women and mothers…or not. This inclusive and rangy mosiac has made Widow Fantasies a must-read for short fiction lovers, and we are proud to say, has introduced many members of our community to the wonderful world of flash fiction.

Power Q & A with Anthony Bidulka

Power Q & A with Anthony Bidulka

We are beyond thrilled to be welcoming many time award-winning author, Anthony Bidulka to our blog to talk to us about his compulsively readable and utterly absorbing new mystery thriller, Home Fires Burn (Stonehouse Publishing, June 1, 2025). Anthony is a Canadian legend of the mystery thriller genre who writes from places and perspectives that you don’t often see represented on the page.

Power Q & A with Sharon Berg

Power Q & A with Sharon Berg

May is National Short Story Month and we’re kicking it off with a brief and salient interview with award-winning multi-genre writer Sharon Berg, author of many books, including the short fiction collection, Naming the Shadows (Porcupine’s Quill 2019). Never one to shy away from tough conversations, we ask Sharon about writing difficult subjects as a necessary part of the responsibility we bear for one another.

Ever think about publishing a chapbook? Montreal poet Carolyne Van Der Meer answers common chapbook questions

Ever think about publishing a chapbook? Montreal poet Carolyne Van Der Meer answers common chapbook questions

Ever think about publishing a chapbook?

Chapbooks are short collections of poetry that can range from just under 10 pages to just under 50 pages—and we love them! Chapbooks can be a perfect one-sitting poetry immersion.

We are delighted to have Montreal poet Carolyne Van Der Meer join us for an appropriately brief but powerful interview on chapbooks.