The 16th and 17th century encounters between Indigenous people in Turtle Island and merchant sailors coming from Europe constitutes the meeting of two very different ways of seeing and living in the world, two very different approaches to trade. The French, Dutch, and English who arrived at the mouths of rivers flowing into the Atlantic were the envoys of a new way of making wealth. These were not aristocrats who stood to inherit their fathers’ land and properties, they were sailors from Europe’s emerging merchant class who were looking for trade goods and resources—spices from Asia, minerals from “El Dorado,” manufactured items from China or India. They had recently developed the capacity to navigate across huge oceans, and they were learning that they could become independently wealthy by exploring the world’s coastlands and islands and bringing back objects they could sell at home.
Power Q & A with Karen Smythe
y novel began as a book about the hidden lives of wealthy retired people living in a fictional small town in Ontario that had transitioned from agricultural to a winery- and tourist-based economy. When one character with a past in wartime Germany emerged, threads opened up that I turned into storylines about the responsibility to remember and be accountable for atrocities in World War 2.
Power Q & A with Connor Lafortune & Lindsay Mayhew
Power Q & A with Allister Thompson
Like a lot of people, when I moved here, I was amazed at the sheer scope of a sparsely populated landscape, as well as its natural beauty, and it really captivated me. It still does. I wanted to share that feeling. Second, given that fact, I felt that while there is a great body of literature about northern Ontario, there can always be room for more!
Power Q & A with Bruce Hunter
Frontenac House Press has published a gorgeous reissue of Bruce Hunter’s award-winning novel of love, disability, and wildness, In the Bear’s House(May 23, 2025.)
Set in 1960s Calgary and Alberta ‘s backcountry, this reissue of In the Bear’s House tells the story of a creative young mother, Clare Dunlop, raising her deaf son against the insurmountable odds of poverty, mental illness and hardship. In the Bear’s House is ultimately about listening to the wild and the wilderness, and what we lose when it’s gone.
We are honoured to have Bruce join us to answer a question about the rebirth of his much-loved story.
Power Q & A with Caitlin Galway
The longer form definitely comes naturally to me, though it’s not something I set out to do, so much as a reflection of how I think. I’ve learned to see my own intuitive approaches more clearly, and how to amplify or deconstruct them, challenge or upend them. Something particular that I’ve realized is that as I write, everything is somewhat of a spiderweb; ideas emerge connected to several other ideas, which connect to one layer, then another, and so on. It’s part of what feeds me electricity as a writer: this instantaneous, sparking interaction between narrative, symbolism, philosophy, psychological and emotional interiority, history, and commentary, and I find that it means the story will probably need more breathing room.
Power Q & A (Part II) with Kathryn Kirkpatrick
Talk about wonder! Paula Meehan's work came to me in the mail as a request for a book review! Poet and editor R.T. Smith certainly kept channels open for synchronicities, and I'll always be grateful for that request. I think currently we're suffering from the Cartesian dualisms inherent in our capitalist version of modernity, and we've got some horrendous fixes floating around. Paula's beautiful work combines a compassionate, progressive politics (for lack of a better word) through a thoroughgoing critique of the class exploitations underwriting modernity as we know it.
Power Q & A with Kathryn Kirkpatrick
These two words—insistence and wonder—speak to the paradox of making poems. There's got to be a willfulness involved in showing up to the blank page or the page with scattered lines and notes for a poem. I have to be insistent about that time and space. If I'm not, if I let the business of life's obligations take over, then there's an emotional and physical insistence that arises.
Power Q & A with Catherine Bush
Like many writers, I started out writing stories but very quickly discovered that a story I cared about deeply was trying to be a novel, so I plunged headlong into long-form fiction and never looked back. That unwieldy story became my first novel, Minus Time. I felt like the novel was my natural breath as a writer. A few years ago, I became intrigued by the wild and meaningful compression of flash fiction – the opposite of a novel. I started writing stories again more intently during the pandemic at a time when I felt exhausted and unable to start a new novel.
Power Q & A with Anthony Bidulka
We are beyond thrilled to be welcoming many time award-winning author, Anthony Bidulka to our blog to talk to us about his compulsively readable and utterly absorbing new mystery thriller, Home Fires Burn (Stonehouse Publishing, June 1, 2025). Anthony is a Canadian legend of the mystery thriller genre who writes from places and perspectives that you don’t often see represented on the page.
Power Q & A with Sharon Berg
May is National Short Story Month and we’re kicking it off with a brief and salient interview with award-winning multi-genre writer Sharon Berg, author of many books, including the short fiction collection, Naming the Shadows (Porcupine’s Quill 2019). Never one to shy away from tough conversations, we ask Sharon about writing difficult subjects as a necessary part of the responsibility we bear for one another.
Power Q & A with Amanda Shankland
Speech Dries Here on the Tongue (edited by Hollay Ghadery, Rasiqra Revulva, and Amanda Shankland) is an anthology of poetry by Canadian authors, published by The Porcupine’s Quill, exploring the relationship between environmental collapse and mental health.
It’s been listed as a book to read by Quill & Quire and CBC Books, and we’re honoured to have one of the editors, Amanda Shankland, join us for this Power Q & A to talk about where this anthology started for her.
Power Q & A with Saad Omar Khan
Saad Omar Khan’s gorgeous novel, Drinking the Ocean (Wolsak & Wynn, May 6, 2024) is a tender and absorbing story of love, family, and the complexities facing Muslims in the West. It has been named one of the 49th Shelf’s most anticipated fiction books of the year and is also one of the most anticipated books within our community.
Moving between Lahore, London, and Toronto, Drinking the Ocean is a story of connections lost and found and of the many kinds of love that shape a life, whether familial, romantic or spiritual.
Power Q & A with Alex Gurtis
We became aware of American poet Alex Gurtis through his work as a literary critic and then further familiarized ourselves with his work in the literary community—specifically, his work uplifting Canadian authors. Then, we learned more about his poetry, and our interest was doubly piqued. We picked up his chapbook, When the Ocean Comes to Me (Bottlecap Press, 2024), and were blown away.
Power Q & A with Andrew French
On this Power Q & A, we are tickled to be joined by poet and podcast host, Andrew French. Andrew is the host of the popular Page Fright poetry show, where they interview established and emerging authors about breaking through as writers and finding their literary style.
In this interview, we ask Andrew to share with us about why they started the podcast.
Power Q & A with Tim Welsh
We are delighted to have Tim Welsh join us today to speak about history in his extraordinary debut novel, Ley Lines (May 1, 2025, Guernica Editions).
Set in the waning days of the Klondike Gold Rush, Ley Lines begins in the mythical boom town of Sawdust City, Yukon Territory. Luckless prospector Steve Ladle has accepted an unusual job offer: accompany a local con artist to the unconquered top of a nearby mountain. There, the duo finds a seven-foot human ear, floating in a halo of light. This mysterious discovery briefly upends Sawdust City's fading fortunes, attracting a crowd of gawkers and acolytes, while inadvertently setting in motion a series of events that brings about the town's ruin.
Power Q & A with Barbara Tran
Barbara Tran’s entrancing poetry collection, Precedented Parrotting (Palimpsest Press, 2024), was a finalist for the Governor General Literary Award for Poetry. This beautiful book stands as an expansive debut that plumbs personal archives and traverses the natural world.
We are honoured to have Barbara join us for our Power Q & A series to speak with us about the visual impact of her work, which uses the whole stage of the page.
Power Q & A with Andrew Whiteman
Close your eyes and open your ears, friends, ‘cause cultural icons, Anne Waldman (The Iovis Trilogy: Colors in the Mechanism of Concealment) and Andrew Whiteman (Broken Social Scene) have collaborated to create Your Devotee in Rags—a metamorphic sonic poetry LP being released with Siren Recordings.
Your Devotee in Rags is a missive to this age of patriarchal power, its songs and poems are designed to specifically confront that power and hold it to account. Taking such activist inspiration from musicians like Lido Pimienta and Tanya Tagaaq, musically YDIR blends acoustic and electronic genres, waltzes, laments, and Pauls Boutique-era Beastie Boys mash-ups all with the intent of creating a new artistic headspace: sonic poetry. The cultural direction is forward, the earbuds open up the stereo field, listening to YDIR is, in a word, empowering.
Power Q & A with Laine Halpern Zisman
Laine Halpern Zisman’s latest book Conceivable: A Guide to Making 2SLGBTQ+ Family (Fernwood, 2024) is the first book of its kind in Canada.
Laine Halpern Zisman is an adjunct professor at the School of Public Health and Social Policy at the University of Victoria. She is founder and project lead on Family Building Canada (familybuildingcanada.com) and a Certified Fertility Support Practitioner with Birth Mark in Toronto. Her research traverses the intersections of 2SLGBTQ+ equity, culture, and reproductive care.
Power Q & A with Jean Marc Ah-sen
Kilworthy Tanner by Jean Marc Ah-sen (Vehicule Press, 2024) tells the story of Jonno—a ner’er-do-well and perpetually up-and-coming writer who becomes enthralled with the established, acclaimed, controversial, and already married but not monogamous author Kilworthy Tanner. What follows is a titillating metafiction that mirrors a literary world replete with “grasping, unprincipled” egos.
There’s much to love about this book, including Jonno’s narration, which teases and bites and soothes and is tender and playful. We are tickled to have Jean join us for this Power Q & A to talk about how he created his protagonist’s distinct voice.